WATCH LIVE VIDEO
NEW ALBUM DEVOTION OUT MARCH 27 ON ATO RECORDS
Photo by: Josh Goleman
“[An] extraordinary voice.” – New Yorker
“Share[s] the self-scrutinizing intimacy of Elliott Smith and the imaginative melodic intonations of Joni Mitchell.” – Pitchfork
“[Her] wit and wisdom packs a confident punch.” – NPR Music
“One of the contemporary music world’s greatest assets.” – American Songwriter
“Her gravelly voice contains multitudes.” – Stereogum
(Toronto, ON – March 16, 2020) – Margaret Glaspy will release her new album Devotion on March 27, and today she premieres the record’s title track in an interview with MTV. Listen to “Devotion” HERE.
Alongside the single, Margaret is sharing a video of an incredible live performance of the track. Filmed at Atomic Studios in Brooklyn’s Red Hook — the same studio where the album was recorded — the video features Margaret alongside her keyboardist Eric Lane and drummer Tim Kuhl performing a stripped-down version of the track. “When we were in the studio making the record, the vibe for this song had a life of its own,” says Margaret. “Tim started to drum along on his lap in the control room and that felt like it was exactly what it needed, something that wasn’t a kit but felt just as percussive. We ended up going in that direction and wanted to recreate it in this video. I grew up playing music this way – without any amplification so you really had to listen to one another and get close.” Watch “Devotion (Live)”HERE.
Devotion also features the previously released singles“Killing What Keeps Us Alive,” hailed by Rolling Stone as “a starkly beautiful image of a fading relationship,” and “Stay With Me,” of which NPR Music raved, “Margaret Glaspy’s songs are deeply personal, often peppered with humor and heartache. The streak continues, and this time her impressive guitar skills take a backseat to a folkier, piano-driven arrangement.” Devotion is available for pre-order HERE.
More on Devotion:
On Margaret Glaspy’s long-awaited second album, Devotion, this highly acclaimed young artist reaffirms her status as one of the most sharp-eyed singer-songwriters of her generation while managing to fearlessly reinvent her sound. The results are exhilarating and defy expectations.
Coming home after nearly three years on the road in support of her 2016 debut album Emotions and Math and the 2018 follow-up EP Born Yesterday, Glaspy was eager to challenge herself as an artist and start to make a new album with a clean aesthetic slate. Her bold experimentation has paid off, with tunes that are her most melodically confident, rhythmically compelling, and often incredibly romantic. The arrangements are unexpectedly lush at times, especially on the torchy “Heartbreak,” and often boast an impressive groove, on such tracks as “You’ve Got My Number” and the title song, “Devotion.” Glaspy announces her radical approach at the very start of Devotion, where digitally altered voices serve as the prelude to “Killing What Keeps Us Alive,” and she fills the album with surprising sonic touches, right up to the haunting electronics-and-voice soundscape of album closer “Consequence.”
On Devotion, Glaspy has not only transformed but evolved. The distinctive personality that marked Emotions and Math is still very much in evidence here. On her debut, Glaspy could be bracingly direct as she chronicled the trials of being alone or the tribulations of being together. She brought swagger, as well as sensitivity, to her lyrics and her performances. On Devotion, she still does, but her perspective has changed: “This record is very different from the last. It’s not about being righteous or all-knowing, it’s about letting love in even when you don’t know what will happen when you do. It’s about devoting your heart to someone or something, against all odds.”
Glaspy toured throughout the USA, Europe, China, and Australia behind Emotions & Math including dates with Wilco and The Lumineers among others – she also appeared on NPR’s Tiny Desk, CBS Saturday Morning and Late Night With Conan O’Brien. Finding herself in her Brooklyn apartment after all of her travels, Glaspy admits, “It was such a shift for me that I didn’t know what to do with myself when I closed that chapter. I was feeling pretty shy. I like to be alone and I had constantly been around people for two or three years straight. I took a long breath, reorienting myself, trying to find my in to get inspired, and to get excited about making records again.”
Glaspy enlisted L.A.-based producer and multi-instrumentalist Tyler Chester, who has collaborated with Blake Mills and Jackson Browne among many others, to produce Devotion – recorded at Atomic Sound in Red Hook, Brooklyn, where they recorded the bulk of Devotion. “Tyler and I proved to be a very good match in the studio. I love being very hands-on with my records and he was a force of nature without restricting my sense of what the record should be. His instincts and ability are truly inspiring.” They brought in Glaspy’s touring drummer Tim Kuhl to complete the picture with his brilliantly artful and austere sense of the kit paired with Chester’s programming. Brooklyn based engineer, Mark Goodell captured these performances masterfully and James Krausse (Los Angeles) mixed Devotion in a way that Margaret says “she has always envisioned her music sounding like.”
“It has been amazing to be able to stretch out, to not define myself just by the music I make, but to follow my nose toward all the things that make me happy.” A good example being Glaspy enlisting herself in distance education through Harvard University to fulfill her dream of getting an education outside of music. “Embracing being a student has made me feel like a child again and I think that has helped to propel my music forward so much more. My brain feels happy.”
Devotion, then, is like a series of hard-earned life lessons. Glaspy’s evolution over the last few years has been both musical and personal, which makes the album that much more compelling: “I’m learning that life is painful but you take the bad with the good; that love is hard but if you love someone, you make yourself available; that life is short and it’s okay to be sincere. I’m starting to be able to write about these things and it’s a feat for myself as an artist and growth for me as a person.”